TIMES IN-BETWEEN 2024

Conference Programme

TIMES IN BETWEEN – 2024 

Programme

Wednesday, 10th July 2024

15:00 – 16:00: Registration
16:00: Opening the Conference + Festival. Local Authorities, Cultural Association Bucanevis’ representative, Cultural Association Stadt representatives, Arts University Bournemouth representatives, British Association of Film, Television and Screen Studies representatives.
17:00 – 17:30: Coffee/Refreshments Break (Delegates only)
17:30 – 19:30: Festival Evening – Screening of Shorts.
20:30: Vineria of the Hotel: Meet me for a glass of wine (Free Time – Optional)

Thursday, 11th July 2024

09:00 – 09:30: Registration
09:00 – 10:00: Opening and Welcome
10:00 – 10:30: Coffee/Refreshments Break (Delegates only)

10:30 – 12:00: First Panel: Industry Matters.

• Breaking Boundaries: A Framework for Chinese Short Film with International Appeal.
Dr Filippo Gilardi (University of Nottingham, Ningbo, China).

• The Bardic Film. Dr Eugene Doyen (Queen Mary University of London, UK)

+ Festival – Screening of shorts.

12:00 – 14:00: Lunch Break (free time for the delegate to have lunch independently)

14:00 – 15:30: Second Panel: Public and Private Dimensions.

• The Bridges of Dystopia County: the invisible boundary between private and public space. Dr Patrick Tarrant (London South Bank University, UK).

• Reckoning With Displacement: The Emancipatory Dimensions of First-Person Filmmaking. Dr Vladimir Rosas-Salazar (University of Warwick, UK)

• POV: You are cinema, and you are dead. Joel Blackledge (Birmingham City University, UK).

15:00 – 16:00: Coffee/Refreshments Break (Delegates only)

16:00 – 18:00: Third Panel: Personal Narrative Strategies

• Grand Tour – a film in-debt(ed): A hybrid re-imagining of indebtedness. Dr Fotis Begklis (Independent Non-Fiction Filmmaker, GR)

• Summoning Each Other’s Absence: The Collaborative Narrative Strategy in the Letter-films. Dr Ming-Yu Lee (Shih Hsin University, Taiwan)

• Self-Shooting the Humanist Documentary. Dr Chris Neilan (Edinburgh Napier University, Scotland)

• Edmond Bernhard, meeting another Waterloo.
Bjorn Gabriels (University of Antwerp/University of Namur).

18:00 – 20:00: Festival Evening – Screening of shorts.

20:00 – 21:30: Conference Dinner

Friday, 12th July 2024

09:00 – 09:30: Registration
09:00 – 10:00: Opening and Welcome
10:00 – 10:30: Coffee/Refreshments Break (Delegates only)

10:30 – 12:00: First Panel: Archives, Movement, Borders

• Out of Placeness: Remembered Childhood in a Divided City. Dr Kayla Parker and Dr Stuart Moore (University of Plymouth, UK)

• Divided by Law
Dr Katie Davies (The University of the West of England, UK) SUBSTITUTED BY SCREENING OF DAVIES’ FILM, Divided

• Swan Out
Dr Angela Piccini (University of Plymouth, UK) and Sefyrn Penrose (Bureau for the Contemporary and the Historic, Plymouth, UK)

12:00 – 14:00: Lunch Break (free time for the delegate to have lunch independently)

14:00 – 15:00: Second Panel: Historical Borders and Blind Spots

• Screening of The Ire of the Mountain (Husak, 2024)

• Borders of the image and blind spots on the screen: Analyzing Apichatpong Weerasethakul’s Phantoms of Nabua (2009) and Tsai Ming-liang’s Autumn Days (2016). Dr Yung-Hao Liu (Shih Hsin University, Taiwan)

• Into the frameless distance to the city of (no) memory’: Itinerant Research for Photo/filmic Practices. Dr Patti Gaal-Holmes (Arts University Bournemouth, UK)

• Processing Images from Caracas
Dr Lorena Cervera (Arts University Bournemouth, UK)

15:00 – 16:00: Filmmaking Hands-on (Film Screening)

• Into the frameless distance to the city of (no) memory’: Itinerant Research for Photo/filmic Practices, by Dr Patti Gaal-Holmes.
• Processing Images from Caracas, by Dr Lorena Cervera.

16:00 – 16:30: Coffee/Refreshments Break (Delegates only)

16:30 – 19:30: Filmmaking Hands-on (presentation + films)

• Three Sisters in a Sketchbook by Dr Romana Turina
• The Forest in Me by Dr Rebecca Marshall.
• + Screening of Short Films.

Saturday, 13th July 2024

09:00 – 09:30: Opening and Welcome

09:30 – 10:30: Forms, Formats and Future Projects

• It’s All About the Journey: Hero, Heroine or Hybrid. Which is the answer for contemporary film? Dr Julia Camara (Keiser University, Florida, USA).

• Forms and Formats of Life-writing and Postmemory.
Dr Romana Turina (Arts University Bournemouth, UK) and Mr Gianni Oberto (Independent Historian, IT)

10:30 – 11:00: Coffee/Refreshments Break (Delegates only)

11:00 – 13:00: Closing Round Table: Delegates – Local Authorities, Cultural Association Bucanevis’ representative, Arts University Bournemouth’s representatives, British Association of Film, Television and Screen Studies representatives.

END of the Conference

Film FESTIVAL

THE SCREENINGS ARE FOR A SELECTED AUDIENCE ONLY – THIS IS NOT A PUBLIC EVENT OPEN TO THE PUBLIC.

LE PROIEZIONI SONO SOLO PER UN PUBLICO SELEZIONATO DI ADDETTI AI LAVORI – L’EVENTO NON E’ APERTO AL PUBBLICO.

10 July 2024

Puppet Master (Soares de Oliveira, 2023)

On the Train (Chin-Chieh, 2023)

Anna in the Woods (Camara, 2021)

Dyptychos (Barroso, 2023)

Crows (Tarrant, 2021)

Heavy plant crossing (Vallance, 2023)

Haemorrhage (Hayes, 2023)

How to Microwave a Cauliflower (Tarrant, 2021)

Mandatory Training (Tarrant, 2021)

Non-place love (Zhou, 2022)

Excursus of Memories (Zhu, 2022)

Mary River (Ward, 2019)

Grand Tour (Begklis, 2021)

Paradise (Machado, 2017)

Femme (Machado, 2017)

11 July 2024

Father-land (Parker, 2020)

Letter – Shadow of Images (Lee, 2022)

Everything that can happen, happens (Pousa & Perrez-Urria, 2020)

Truth and Performance in True Crime (Pousa & Perrez-Urria, 2024)

Swan-Out (Piccini & Penrose, 2024)

Love and Border (Neilan, 2020)

Meet Big Bird (Neilan, 2019)

Mother & Daughters (Neilan, 2020)

Arts University Bournemouth Showcase.

Divided by Law (Davies & Agusita, 2021)

ITALIAN PREMIERES

Into the frameless distance to the city of (no) memory  (Gaal-Holmes, 2024)

Processing Images from Caracas (Cervera, 2024)

Three Sisters in a Sketchbook  (Turina, 2024)

The Forest in Me  (Marshall, 2024)

 

THE SCREENINGS ARE FOR A SELECTED AUDIENCE ONLY – THIS IS NOT A PUBLIC EVENT OPEN TO THE PUBLIC.

END OF THE FESTIVAL